Cartoon Network v. CSC Holdings: Remote DVR does not infringe Copyrights
In Cartoon Network v. CSC Holdings, 536 F.3d 121 (2nd Cir. 2008), the Second Circuit reversed a district court’s ruling and determined that a remote-storage DVR service does not infringe on the reproduction and public performance rights of copyright holders. This significant holding, which will likely be referenced in numerous future opinions, offers both good news and bad news.
Background
Defendant Cablevision Systems Corporation (”Cablevision?) offers a remote storage digital video recorder (”RS-DVR?) service ? like a cross between set-top DVR devices and video-on-demand services. A customer can program the RS-DVR to record and play back shows just like a regular DVR, except instead of storing the recorded shows on a set-top box, the RS-DVR stores the shows on Cablevision’s remote servers, obviating the need for a set-top box.
Cablevision’s service splits a broadcast feed into two streams, including a “buffer? copy that goes to a router where it is stored for no more than 1.2 seconds while the router checks to see whether any customer has requested to record that show. If yes, the data is sent to that customer’s allocated hard disk. If no, the buffered stream is discarded.
The new service caught the attention of major broadcasters ? CNN, Twentieth Century Fox, Cartoon Network, Paramount, Universal, Disney, and others ? who joined together to file suit against Cablevision. The plaintiffs claimed that Cablevision’s service would violate their reproduction rights in two ways — by storing the broadcast data briefly in the buffer and by subsequently storing it on hard disks on Cablevision’s own servers. The plaintiffs also claimed that Cablevision’s system would infringe on their public performance rights. Seeking declaratory and injunctive relief, the plaintiffs alleged that the RS-DVR was akin to video-on-demand (”VOD?) and, therefore, Cablevision should have to get additional licenses from the content providers before allowing the customers to watch the stored programs.
In its defense, Cablevision argued that its remote system and a traditional DVR were essentially the same, so it should not be required to pay license fees.
The Southern District of New York granted summary judgment in favor of the plaintiffs, ordering Cablevision to stop offering the RS-DVR service until it obtained licenses for the content. Cablevision appealed the decision to the Second Circuit, which published its opinion on August 4, 2008. Cartoon Network LP, LLLP v. CSC Holdings, Inc., 536 F.3d 121 (2nd Cir. 2008).
The buffered data was not “fixed? and did not infringe on reproduction rights
Section 106 of the Copyright Act grants copyright holders the exclusive right to reproduce the copyrighted work in copies. 17 U.S.C section 106(1). The Copyright Act defines “copies? as “material objects? in which a work is fixed by any method? from which the work can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device.? 17 U.S.C. section 101.
The Act further states that “a work is fixed? ?. “when its embodiment in a copy ? is sufficiently permanent or stable to permit it to be perceived, reproduced, or otherwise communicated for a period of more than transitory duration.? Id.
The district court had found that the RS-DVR created copies as defined by the Act because the buffered data could be reproduced and therefore the data was “fixed? in the buffer. See Twentieth Century Fox Film Corp. v. Cablevision Sys. Corp. (Cablevision I), 478, F. Supp. 2d 607, 621-622 (S.D.N.Y. 2007). In reaching this holding, the district court relied upon the “RAM doctrine? established in MAI Systems v. Peak Computer, 991 F.2d 511 (9th Cir.) and its progeny. The MAI court held that a software copy created in a computer’s RAM could be perceived, reproduced or otherwise communicated and was therefore “fixed? under the Copyright Act.
The Second Circuit disagreed, determining that the buffered data did not constitute a “copy? as defined in the Copyright Act. Specifically, the court stated: “Given that the data reside in no buffer for more than 1.2 seconds before being automatically overwritten, and in the absence of compelling arguments to the contrary, we believe that the copyrighted works here are not “embodied? in the buffers for a period of more than a transitory duration, and are therefore not ?fixed’ in the buffers.? 536 F.3d at 130.
In reaching this determination, the Second Circuit narrowly interpreted MAI as standing only for the proposition that loading a program into a computer’s RAM can result in unlawful copying, but does not always constitute unlawful copying. Id.at 128.The Cartoon Network court determined that the MAI parties and court really did not focus on or dispute the “transitory duration? element of fixation,[1] so reliance on MAI was misplaced in this case. Id.The court further discounted any opinion, including a Copyright Office Report, that a copy is “fixed? if it is embodied “for any amount of time? is incorrect because such an interpretation reads the “transitory duration? language out of the statute. Id. at 129.
Cablevision’s playback feature did not infringe on reproduction rights
The district court had also determined that Cablevision violated the plaintiffs’ reproduction rights by storing and replaying programs at customers’ requests. The Second Circuit again disagreed with the district court on this point, focusing on the question of whose volitional conduct actually causes the allegedly infringing copy to be made ? Cablevision’s or the end-user’s. 536 F.3d at 131.Even though Cablevision designed, housed and maintained the system, the Second Circuit determined that the end-user who actually presses the button on the remote is the volitional actor who creates the copy. Id. at 132.
The Cartoon Network court likened the RS-DVR to “a VCR, a photocopier, or even a typical copy shop.? Id.at 131.The owner of a copy shop makes copiers available to users who may use the copiers to infringe on copyrights, but that does not make the owner ? who has no control over what his customers copy — directly liable for infringement. Id.at 131-132. Similarly, Cablevision makes the copying available to customers, but does not exert any substantial control over what they copy. Id. at 132.
The court did acknowledge that the facts gave rise to a question of Cablevision’s potential contributory liability for copyright infringement. Id. at 132-133. The Court pointed out, however, that the plaintiffs had alleged only direct infringement, not contributory infringement, thus an analysis of contributory liability for infringement was moot. Because the consumer, not Cablevision, performed the volitional act that created the copy, plaintiffs’ claim of direct infringement under this theory failed. Id. at 133.
The playback did not infringe on the right of public performance
The Copyright Act grants to a copyright holder and exclusive right “to perform the copyrighted work publicly.? 17 U.S.C. section 106(4). The Act goes on to define a “public? performance, generally, as one that takes place in or is transmitted to a place open to the public, or at any place where a substantial number of persons outside of a normal circle of family and its social aquaintances is gathered. 17 U.S.C. section 101.
The plaintiffs argued, and the district court had agreed, that Cablevision’s transmission of the stored data from its servers to the end-user’s television infringed the public performance right. Cablevision argued that it does not violate the public performance right because 1) the end-user, not Cablevision, takes the volitional act that causes the transmission to take place, and 2) the transmission is not “to the public? as that term is defined in the Copyright Act. Id. at 134.
The Second Circuit declined to address Cablevision’s first argument because it agreed with Cablevision’s second argument, that the transmission was not “to the public.? Specifically, the court looked at the “potential audience of a given transmission? and determined that because Cablevision encodes each storage request separately so that the stored show can only be delivered to and viewed by the individual user who made the copy, it could not be a “public? performance. Id. at 137.
In reaching this determination, however, the court warned that its holding “does not generally permit content delivery networks to avoid all copyright liability by making copies of each item of its content and associating one unique copy with each subscriber to the network, or by giving their subscribers the capacity to make their own individual copies. We do not address whether such a network operator would be able to escape any other form of copyright liability, such as liability for unauthorized reproductions or liability for contributory infringement.? Id. at 139-140.
Conclusion ? The opinion leaves more questions than answers
The Cartoon Network opinion is significant, particularly in its narrow construction of MAI and in its detailed explanation of the applicable technology and how the law applies to it. Certainly, the opinion is good news for consumers seeking new ways to access and use digital information. And arguably, the district court’s opinion may have chilled innovation in networking technologies; its reversal is positive for developers of those new technologies.
But unfortunately, the opinion opens up new questions that will need to be answered in future cases. For example, the Second Circuit dangled the carrot of contributory infringement liability for companies like Cablevision without completing the analysis, giving future plaintiffs new armor in their claims against these types of alleged infringers. A future case against a company like Cablevision will have to address this issue in full.
The case also further blurs the vague definition of “transitory duration.? How long must a copy be embodied for it to be “fixed?? According to the Second Circuit, 1.2 seconds is not long enough. Is 5 seconds long enough? 10? 20? The possibility of a slippery slope now exists, as there is no clear time duration cut-off that establishes fixation.
And despite the court’s admonition that its ruling should not be used by delivery networks in an effort to slip through infringement loopholes, the opinion in fact creates those loopholes. Certainly a case will appear in the near future alleging infringement against a network whose system was developed in reliance on this opinion. This developing area of law is far from any final resolution.
[1] The court determined that the MAI case did not focus on the “transitory duration? element because in that case , the copy was embodied in the RAM for “at least several minutes.? 536 F.3d at 128.
About the author
Ms. Campos is an Associate at Zuber & Taillieu LLP (www.zuberlaw.com), where she specializes in entertainment and intellectual property law. She earned a J.D. from Stanford University School of Law, and B.A.’s in History and Ethinicity Race & Migration from Yale University. She graduated both universities with honors.
Tags: broadcast data, broadcast feed, cablevision systems, cablevision systems corporation, cartoon network, cir, cnn, content providers, csc holdings, digital video recorder, district courts, hard disks, injunctive relief, plaintiffs, public performance rights, reproduction rights, twentieth century fox, two streams, video on demand, vod